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Art, Folklore, and the Human Experience: A Deep Dive

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Welcome to your September edition of Signified

Art serves as a wonderful topic for discussion. Why not share this newsletter with someone who shares your passion for art?

Exciting News! Our editor, Remy Dean, has been acknowledged for maintaining high standards at Signifier and has joined the Medium Boost Nomination Pilot team. While Remy can nominate articles on art, design, and media from across Medium, submissions to Signifier are more likely to catch his eye. If you are a writer with a compelling story suitable for Signifier or a creative looking to exhibit your art in our : six : shot : gallery, guidelines can be found at the end of this newsletter.

Sri Prabha on ‘Resonator — Reanimator’

> “Like Carl Sagan would say, ‘we are made of star stuff.’ This work references all the cosmic events that shaped us. It emphasizes that we can draw on these elements to embark on new experiences that are uniquely our own, rooted in the universal aspects we all share…”

Continue exploring the art at : six : shot : gallery.

Recently ‘Boosted’ in Signifier:

‘The Ghost of Oyuki’ and Her Twin

In this section, we delve into the portrayal of Japanese ghosts and examine how one artist has influenced their depiction for centuries. A notable feature is their lack of legs, where the ghostly form fades before reaching the ground, suggesting a severance from the physical realm. This belief traces back to an era when ghosts were widely accepted as real.

Continue reading in SIGNIFIER.

Dürer and Jerome: Being Human

Dürer was a master at maximizing the potential of his medium to create remarkable artworks. His engravings are still lauded as some of the finest ever produced, setting a standard for future artists. The Humanist, Erasmus, remarked that Dürer’s monochrome engravings depict the ineffable—fire, rays of light, and storms.

Continue reading in SIGNIFIER.

‘Dark Beauty and Almost Spectral Luminosity’ — the Art of Harry Clarke

The Geneva Window (1930) was initially commissioned for the International Labour Court in Geneva by the Irish government but was rejected due to its risqué content. This piece showcases figures from Ireland's literary heritage in striking blues, reds, and intricate details, blending history with fiction.

Continue reading in SIGNIFIER.

Ferrous Friend or Foe?

Those familiar with Disney's 2014 film Maleficent will recognize that iron is harmful to fairies and can restrain dragons. Iron was once favored for children's beds, believed to protect infants from being taken by fairies. In folklore, iron bands around the coffins of witches or vampires were thought to prevent their escape.

Continue reading in SIGNIFIER.

Kachina Dolls: Ancient Spirits, Modern Art

Kachinas embody the spirits of living beings and natural events, as well as complex abstract ideas. They dwell among ancestral ‘ghosts’ who possess vital ancient knowledge and bestow blessings on their descendants. Central to various Native American cultures, especially among the Hopi, Zuni, and other Pueblo tribes, Kachinas are viewed as benevolent elemental spirits.

Continue reading in Signifier.

‘Take a Seat’: from the archives of Signifier

In this recurring feature of our Signified Newsletter, we highlight selected articles from our archives connected by a monthly theme. This month, we focus on iconic chairs.

Walking the Line (off the page and into the world)

While Paul Klee was teaching at the Bauhaus, his idea of taking a line for a walk had a significant impact. The Bauhaus metal shop was the first to utilize tubular steel for furniture, notably the 1925 design by Hungarian architect, Marcel Breuer, known as ‘The Wassily Chair,’ approved by Kandinsky.

Continue reading in Signifier.

Bent into Shape: the Ant Chair

Arne Jacobsen preferred the title of architect, believing furniture design was integral to architecture. He gained international acclaim for his high-profile projects and maintained that the same design principles should apply across all environments, aligning with Bauhaus philosophies.

Continue reading in SIGNIFIER.

Are You Sitting Comfortably?

In 1950, Herman Miller introduced the Armchair, followed by the Side Chair in 1951. The latter was more challenging due to the absence of armrests for support. While resolving issues with the armless Fibreglass Side Chair, Charles Eames drew inspiration from the honest design of steel wire products like trays and baskets.

Continue reading in SIGNIFIER.

Signifier can only go forward with your support

Medium has recently implemented new algorithms to recognize and promote high-quality content. Please remember to click the ‘clap’ button on articles you appreciate. Commenting, highlighting, and following your favorite writers is another way to show support. This small act costs nothing but can genuinely uplift a writer's spirits!

If you enjoy our insightful articles on art, design, and media but haven’t subscribed yet, please consider doing so via this link. We receive a small referral fee, and you’ll get unlimited access to The Signifier publication, Six Shot gallery, and all the exceptional writing across Medium. It's a wonderful deal! (And a great gift for art enthusiasts!)

Whether or not you’re a Medium subscriber, you can help spread the word by sharing articles you enjoy on social media. Your support truly matters and comes at no cost.

Our Redbubble online store features three collections of artistically curated items, including a button badge of our unique Signifier/Signified diagram for media theorists and semiotics students!

If you know anyone who appreciates “imaginative fiction at its best,” consider recommending or purchasing their latest novels from the series, This, That, and The Other, authored by Remy Dean and Zel Cariad, published by The Red Sparrow Press.

“Bursting at the seams with magic!”

> “Will be enjoyed by fantasy fans of all ages, especially those who cherish classics like the ‘Narnia’ saga.”

Attention, Boost-worthy Writers!

…submit an article proposal for Signifier. The Signifier offers a nuanced exploration of art evolution, featuring short pieces and longer essays on art history, design icons, media theories, and analytical critiques of significant works, all penned by writers with art-related expertise.

We encourage proposals from Medium writers for suitable articles. To understand what fits, we recommend reading a variety of our published works. The best way to connect is to comment on a recent article by our editor, Remy Dean. Familiarity with the Signifier publication—shown through follows, claps, and comments—is beneficial.

Calling All Artists!

…submit your visual art to The Signifier : six : shot : gallery. Each month, we display just six images from each artist or creative entity. These images should share a thematic link—be it from the same project, series, or related subjects, and accompanied by an artist’s statement that offers insight into the work’s meaning.

You can read an overview of the gallery’s first two years here.

The artwork must be solely created by the artist or entity and intended as a 2D image. Currently, we do not consider 3D works or NFTs. Acceptable media include fine art, photography, drawing, painting, collage, prints, illustration, mixed media, digital, etc. The curator favors concept-driven, visually adventurous work.

The Six Shot Gallery is hosted on Medium, meaning that costs are covered by reader and member contributions, ensuring free submissions for the foreseeable future with no ‘virtual hanging fee’ imposed. Artists may include a single link to their website, agent, or preferred sales platform—no commission is charged.

If selected for exhibition, the six images must not appear elsewhere online during the first month of their exhibition, with exceptions for social media promotions, personal websites, and related press coverage. Besides this agreement, the Six Shot Gallery does not exert further control beyond the scheduled exhibition month, and copyright always remains with the artist.

Remy Dean is the host and curator, and initial contact should be made through comments on the latest exhibition showcase in The Signifier : six : shot : gallery or via a private note on a recent article by our editor, Remy Dean. Familiarity with the Signifier : six : shot : gallery—demonstrated by follows, claps, and comments—is advisable.

Note that there are a maximum of 12 exhibition slots available per year, so don’t be disheartened if your work isn’t selected.

We eagerly await your exciting art submissions! Examples of past exhibitions can be viewed here.

Missed any of our Signified Newsletters? They are now archived here.

Thank you for your continued support. Our publication updates weekly, so be sure to visit often!

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